Chandler 500 Series Compressor
All Chandler 500 series units have now been tested and proven to have no power issues in the following racks: API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.
Axiom Monitor headset station 16 ch
The A-16II Personal Mixer provides a host of professional features designed to be easy to use in a variety of live performance and audio monitoring situations. The A-16II Personal Mixer can be used with all of Aviom’s Pro16 A-Net devices and can be connected to third-party products such as console cards that support the Pro16 A-Net protocol.
Apogee Big Ben Word Clock Generator
The Big Ben is fundamentally a Grade 1 master clock generator able to operate at any of the standard rates from 44.1kHz to 192kHz. It provides six word-clock outlets, two AES outputs, a coaxial S/PDIF socket and a configurable optical port for S/PDIF or ADAT interfaces. Two of the word-clock outputs can be configured to provide DSD, Super Clock, or various other multiple-rate references. There is also an option-card slot which can be used to extend the unit’s compatibility with future interface standards. Firewire compatibility is already available, and a video generator card is expected shortly. Many master clocks are designed to run independently, but the Big Ben can be slaved to an incoming clock reference signal (including video), if required. Apogee claim that any jitter on an external reference clock is removed to such an extent that it is usually impossible to tell the difference between Big Ben’s operation slaved to an external clock or running from its internal clock generator. An extension of this de-jittering functionality is that, when using a reference input carrying audio (in other words AES, S/PDIF, ADAT, or Firewire), the data is automatically de-jittered before distribution to all the other audio-capable clock outputs.
Solid State Logic Madi-X
With the Alpha-Link Series, Solid State Logic breaks from their normal routine of producing some of the best sounding analog gear around and leaps into the world of high-end digital conversion. The Solid State Logic Xlogic Alpha-Link Audio I/O product range is a new collection of highly flexible and fully featured multi-channel Audio Converters for studio, live and broadcast applications at an incredible performance ratio.
Alexis MASTERLINK CD Recorder
MasterLink ML-9600 two-track hard disc recorder – literally, the state-of-the-art in do-it-yourself mixing and mastering systems. Only MasterLink lets you capture your mixes in stunning 24-bit, 96kHZ; edit your recording and apply finishing tools – such as high-resolution parametric EQ Compression, limiting and normalizing – all in the same system and then burn the finished recording in either industry-standard Redbook, or new high resolution CD24, fast becoming the new standard for archiving and transferring high-res. audio files to the mastering room.
TC M5000 Multi Effects Processor
M5000 – Digital AudioMainframe… The Ultimate Audio Processing Platform The M5000 Digital Audio Mainframe is unlike any other effects processor you have ever seen. By combining TC DARC™ technology with the skills of the best signal processing software engineers around the world, we have created the perfect mix of effects you have access to in the M5000 today. What you see is not what you get – you get more! The unique design of the M5000 hardware platform allows for future upgrading of both the software and hardware aspects. It will far outlast any other signal processor you own or can buy today. Operating the M5000 is a breeze and upgrading it couldn’t be simpler. All M5000 owners receive regular, easy to install, software upgrades -featuring the very latest state-of-the-art effects. Add to this hardware upgrades like the impressive ATAC Remote Controller and you have a package that is unbeatable.
Bricasti M7 Reverb Unit
The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of it’s kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future. Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.
DBX (Vintage) 160 VU Compressor
Classic white VU 160 compressors with XLR pigtails. Amazing on kick, snare, bass guitars, with just the right attack/release. Just tap the kick/snare with it before going to ProTools, to get some tape compression feel. Might be the best bass comp on the planet, and it’s surprisingly good on vocals. The dbx 160 is a Voltage Controlled Amplifier compressor that uses a transformerless, solid-state design that has endured for decades. The program-dependent compression, combined with multiple gain stage components, creates a sound that is uniquely its own. The controls are simple: Threshold (with lights indicating above and below threshold value); Compression ratio from 1:1 to Infinity:1; Output Gain from -20 to +20 db attenuation; and three meter settings for input, output, and gain change.
TC Finalizer Compressor
The Finalizer Express is the fast and efficient way to turn your mix into a Professional Master! Based upon TC’s Multi-Award winning Finalizer Mastering Technology, it delivers the finishing touches of clarity, warmth and punch to your mixes, putting the world of professional mastering within your reach.
Summit DCL-200 Tube Compressor
A mainstay of both the live sound and studio environments, the DCL-200 has helped shape the sound of countless concerts and albums for decades, as well as holding down the fort in many of the best dance clubs around the world. The Summit Audio DCL-200 is a dual channel hybrid design compressor/limiter that incorporates hand selected vacuum tubes with high reliability 990 op-amps in a transformerless signal path, giving you an incredibly clean, precise sound with the subtle overtones and warmth of tube technology. The DCL-200 uses a soft-knee and program dependent transition characteristic that is extremely versatile and musical sounding, making it a go-to piece for tracking, mixing, and even mastering. Because of the program dependent nature of the DCL’s compressor, a higher slope will result in more compression but the circuit constantly adjusts itself to the incoming signal, making it easy to set and forget.